“Dave put his heart and soul into every project he did for Blackside. He made bad, old stock footage look good again, and made different network feeds – like material from the Boston busing conflict – look like one switched program."
- Alison Bassett, Blackside series producer.

“The schedule for finishing ‘The Gate of Heavenly Peace’ (...) was horrific. The process could have failed for any number of reasons, creative or technical.  We had tape formats of every variety and needed to create flawless D1 masters that would be used to make the 35mm 1:1.85 print.  When I left Dave’s suite at the end of the first day I thought for the first time, ‘Oh, my God, we're actually going to get this thing done!’” 
- 'The Gate of Heavenly Peace' Editor Dave Carnochan

"I just finished the only first-person film I'll probably ever make, and I trusted Dave with the post.  I handed him an especially tough assignment – a film made from six different media sources, including two amateur cameras and a top-of-the-line high-def camera.  In the end, Dave's work made it look like a unified film." 
- Emmy award-winning documentary filmmaker Linda Garmon

“The pieces are projected in uncompressed HD 720P.  It’s amazing to see the shots flow seamlessly from dawn through rainstorms, fog, snow, sunshine, underwater.  Dave pulls everything together beautifully."
- "Between the Tides" Cinematographer D’Arcy Marsh

“Having lived with a film for a year or more, I always walk into Dave's suite with a strong vision. Dave always makes a colossal effort to understand it fully.  It's a great collaboration.  Beyond the creative, Dave works with my budget, gives me technical support during production, and will bend over backwards to accommodate my last minute schedule crises.”
- ”Crash:  The Tale of Two Species” Director Alison Argot

“The bottom line is that Dave cares and it shows in his work.  Plus, he’s a blast to hang out with."
- ”Crash:  The Tale of Two Species” Producer Peter Frumkin